Payment protectionDetails
- Revisions within the package are free.
- If you do not respond within 3 days of delivery, the work is accepted automatically.
The money is reserved when you pay and released only once you accept the work.
Example result
Manuscript critique: opening chapters of a small-town mystery
Overall impression
The voice is the strongest thing here: warm, a little wry, with a clear sense of the harbour town. The mystery itself starts too late. The body is found on page 19; until then we have two chapters of setup that are pleasant but low on tension.
Plot and structure
- Chapter 1 introduces Nell's bookshop, her cat, her ex-husband and the festival committee. Four threads at once, none with a question attached.
- The lighthouse keeper's death would work far better as the end of chapter 1, not the middle of chapter 3.
- The festival deadline is a good ticking clock. Mention it early and keep returning to it.
Characters and dialogue
Nell is likeable, but mostly passive in the opening: things happen near her rather than because of her. Give her one small choice in chapter 1 that has consequences later.
Dialogue is natural, but characters often explain what both already know:
"As you know, Nell, the lighthouse has been closed since the storm three years ago."
Suggested: "Still closed?" Nell nodded at the lighthouse. "Three years, and they still haven't fixed the door."
Style and language
- Strong sensory details: "the smell of tar and lemon soap" sets the scene in six words.
- Overuse of "just" (41 times) and "suddenly" (12 times) softens tension.
- Several long paragraphs of backstory in chapter 2 (pp. 11–13) stop the scene; spread them across later chapters.
What works
- The cat, Admiral, is a charming running joke without stealing scenes
- The town feels lived in; secondary characters are distinct from first appearance
- Nell's humour fits the genre perfectly
Revision plan
- Move the discovery of the body to the end of chapter 1; cut or compress what comes before
- Give Nell a decision in chapter 1 (e.g., she lends the keeper a book that is later found with him)
- Remove "as you know" exchanges; let the reader infer
- Search and trim "just" and "suddenly" by at least half
- Move backstory from chapter 2 into short flashes later in the book
- Plant the festival deadline in the first two pages
Client: first-time novelist. Text: chapters 1–3 of The Lantern Keeper, a cozy mystery, 4,800 words. Author's question: "Does the opening hook readers, and is my detective likeable?"
The client and all details are made up.
About this service
Christian fiction readers want a strong story in which faith is part of the characters' lives, not a sermon added on top. We read your manuscript for plot, pacing and character and also for how the faith thread is woven in: whether a character's spiritual arc is earned, whether conversion or prayer scenes feel honest, and whether the content fits the expectations of Christian publishers and readers on language and romance. We respect your beliefs and denomination and comment on craft, not doctrine.
What is included
- What you getA written critique of story, characters and the faith thread with examples and a revision plan, as text and a .docx file. Premium adds line edits of the opening pages.
- Faith threadWoven into the story, not preached
- Spiritual arcEarned change in the character
- Market fitLanguage and romance content
- Plot and pacingWhere the story sags or rushes
- CharactersBelievable, flawed and alive
How it works
- 1UploadYou paste the text or attach Word or PDF
- 2ReadingWe read for story and the faith thread
- 3DeliveryYou get the critique as text and .docx
What we need from you
The text pasted or attached as Word or PDF, the subgenre (romance, suspense, historical, speculative), your target readers or publisher, your tradition if it matters to the story and a short synopsis if it is an excerpt.
We will ask you:
- What subgenre is it?
- Who are your readers or target publisher?
- How present is faith in the story?
- What worries you most about the text?
Compare packages
| Packages | BasicExcerpt up to 2,000 words$20 | StandardUp to 5,000 words$39 | PremiumUp to 10,000 words with line edits$75 |
|---|---|---|---|
| Deadline | 2 days | 3 days | 5 days |
| Revisions | 1 | 2 | 3 |
| Text length | up to 2,000 words | up to 5,000 words | up to 10,000 words |
| Faith-thread notes | Yes | Yes | Yes |
| Line edits | No | No | first 1,500 words |
| Order Basic | Order Standard | Order Premium |
Payment protection
You pay when you order, but the money is released only for accepted work.
- Fixed priceThe package price does not change after you pay.
- The money is reservedWhen you pay, the amount is only reserved. It is released to the service once you accept the work.
- Checked before deliveryEvery result goes through a quality check before it reaches you, and you see it on the order page before accepting it.
- Free revisionsAsk for changes within your brief as many times as the package allows.
- Acceptance after 3 daysIf within 3 days of delivery you neither accept the work nor ask for changes, it is accepted automatically. If you write in the order chat after delivery, the order waits; once we answer, we may start the 3 days again and will say so in the chat.
- Redo or a full refundIf the result does not match your brief and the revisions did not fix it, or the work takes more than twice its deadline, write in the order chat: we will redo the work or refund the payment in full.
Questions and answers
Will you judge my theology?
No. We comment on how faith works in the story as craft. Doctrinal questions are for your own tradition.
Can you check if it fits a Christian publisher?
We note content that many Christian publishers avoid, such as strong language or explicit scenes. Each publisher has its own guidelines, so check theirs.
Will you edit my file directly?
No. The critique comes as a separate text and .docx file. Line edits are shown as before-and-after passages, not as tracked changes in your manuscript.