Payment protectionDetails
- Revisions within the package are free.
- If you do not respond within 3 days of delivery, the work is accepted automatically.
The money is reserved when you pay and released only once you accept the work.
Example result
Manuscript critique: opening chapters of a small-town mystery
Overall impression
The voice is the strongest thing here: warm, a little wry, with a clear sense of the harbour town. The mystery itself starts too late. The body is found on page 19; until then we have two chapters of setup that are pleasant but low on tension.
Plot and structure
- Chapter 1 introduces Nell's bookshop, her cat, her ex-husband and the festival committee. Four threads at once, none with a question attached.
- The lighthouse keeper's death would work far better as the end of chapter 1, not the middle of chapter 3.
- The festival deadline is a good ticking clock. Mention it early and keep returning to it.
Characters and dialogue
Nell is likeable, but mostly passive in the opening: things happen near her rather than because of her. Give her one small choice in chapter 1 that has consequences later.
Dialogue is natural, but characters often explain what both already know:
"As you know, Nell, the lighthouse has been closed since the storm three years ago."
Suggested: "Still closed?" Nell nodded at the lighthouse. "Three years, and they still haven't fixed the door."
Style and language
- Strong sensory details: "the smell of tar and lemon soap" sets the scene in six words.
- Overuse of "just" (41 times) and "suddenly" (12 times) softens tension.
- Several long paragraphs of backstory in chapter 2 (pp. 11–13) stop the scene; spread them across later chapters.
What works
- The cat, Admiral, is a charming running joke without stealing scenes
- The town feels lived in; secondary characters are distinct from first appearance
- Nell's humour fits the genre perfectly
Revision plan
- Move the discovery of the body to the end of chapter 1; cut or compress what comes before
- Give Nell a decision in chapter 1 (e.g., she lends the keeper a book that is later found with him)
- Remove "as you know" exchanges; let the reader infer
- Search and trim "just" and "suddenly" by at least half
- Move backstory from chapter 2 into short flashes later in the book
- Plant the festival deadline in the first two pages
Client: first-time novelist. Text: chapters 1–3 of The Lantern Keeper, a cozy mystery, 4,800 words. Author's question: "Does the opening hook readers, and is my detective likeable?"
The client and all details are made up.
About this service
A play lives on stage, so we read your script for what an audience will see and hear: whether each scene has a conflict and a turn, how entrances, exits and scene changes work, and whether characters speak in voices of their own. We also look at the practical side theatres consider, such as cast size, doubling, sets and running time. The critique ends with a revision plan and notes for a reading or a submission to a festival.
What is included
- What you getA written critique of structure, scenes, characters, dialogue and staging with a scene-by-scene table and revision plan, as text and a .docx file. Premium adds line edits of the opening pages.
- Scene by sceneConflict, turn and purpose
- Dialogue and voiceSpeakable lines, distinct people
- StageabilityCast, doubling, sets, changes
- Running timeEstimate and where to trim
- Revision planNext draft priorities
How it works
- 1UploadYou paste the text or attach Word or PDF
- 2ReadingWe read it as an audience and a director
- 3DeliveryYou get the critique as text and .docx
What we need from you
The script pasted or attached as Word or PDF, whether it is a one-act or full-length, the cast size you aim for, the kind of theatre or festival you have in mind and your main worries.
We will ask you:
- Is it a one-act or a full-length play?
- How many actors do you aim for?
- Where do you hope to stage or submit it?
- What worries you most about it?
Compare packages
| Packages | BasicUp to 30 pages$20 | StandardUp to 60 pages$39 | PremiumFull-length up to 110 pages$75 |
|---|---|---|---|
| Deadline | 2 days | 3 days | 5 days |
| Revisions | 1 | 2 | 3 |
| Script length | up to 30 pages | up to 60 pages | up to 110 pages |
| Scene table | Yes | Yes | Yes |
| Line edits | No | No | first 10 pages |
| Order Basic | Order Standard | Order Premium |
Payment protection
You pay when you order, but the money is released only for accepted work.
- Fixed priceThe package price does not change after you pay.
- The money is reservedWhen you pay, the amount is only reserved. It is released to the service once you accept the work.
- Checked before deliveryEvery result goes through a quality check before it reaches you, and you see it on the order page before accepting it.
- Free revisionsAsk for changes within your brief as many times as the package allows.
- Acceptance after 3 daysIf within 3 days of delivery you neither accept the work nor ask for changes, it is accepted automatically. If you write in the order chat after delivery, the order waits; once we answer, we may start the 3 days again and will say so in the chat.
- Redo or a full refundIf the result does not match your brief and the revisions did not fix it, or the work takes more than twice its deadline, write in the order chat: we will redo the work or refund the payment in full.
Questions and answers
Do you format the script to industry standard?
No, this is a critique. We point out formatting problems that would distract a reader, but do not reformat the file.
Can it be a musical?
Yes. We critique the book and the placement of songs; we do not judge the music itself.
Will you edit my file directly?
No. The critique comes as a separate text and .docx file. Line edits are shown as before-and-after passages, not as tracked changes in your manuscript.